Toronto Fringe Review: Wanda

Photo by Dylan Alsop featuring Jessica Harb, Ethan Ryckman, and Zaynna Khalife

Wanda tries to hold a mirror to the love triangle trope. There are no villains or victims in this triangle, just three deeply flawed people. Wanda (Zaynna Khalife) and Logan (Ethan Ryckman) play the central couple in this piece, playing opposite their close friend Faith (Jessica Harb).  

Throughout the show I found myself writing down many lines verbatim because I found them so funny.  Ryckman’s dialogue is highly stylized, but it doesn’t come at the expense of sincerity.

The chemistry between all three actors is delightful to watch. Through Ryckman and Zachary Barmania’s direction, all three characters have some of the most believable relationships (and moments of conflict) I’ve seen in a Fringe show. 

I think the show succeeds at adding depth to the love triangle trope but doesn’t necessarily change or complicate it. The script adds some interesting particulars to the characters and context, but these don’t turn the trope on its head in the way the show description might lead you to believe. Nevertheless, I think the unique conditions of the central relationship make the story far more interesting (and relevant) than the typical love triangle tale. 

I noticed a few moments in which the stage business feels superfluous. There are quite a few times the characters move around for no reason, and this took me out of the moment. Interestingly, as the show progressed, I noticed this less and less, and was pleased that the direction took the time to make good use of silence and stillness, especially in moments of tension. 

Overall, I quite enjoyed this show – I left with a wry smile on my face, and I think you will too. 

Wanda is on now until July 17 as part of the 2022 Toronto Fringe Festival.
Find show times and tickets here.