Toronto Fringe Review: The Boy Who Cried

Photo by Kenneth Collins

There’s a palpable buzz in the lineup outside the Tarragon Theatre. The Boy Who Cried is one of those Fringe shows people are talking about, and everyone is excited to see what happens.

It all starts with a small patch of grass, a spotlight, and our lead actor chatting with an invisible child counterpart. The world-building is immediately impressive. We learn that we’re at a summer camp, that the camp is close to a prison, and that there’s an ominous tone to all the summer fun as a result.

As each player takes the stage, one thing is clear: these actors know their characters inside and out. Though this is quite a large cast, everyone has a clear POV. We know who’s cool, who’s not, and which friendships are on the rocks.

This 85-minute piece, written by Brad Gira, is ambitious. It explores gender roles, nature vs nurture, and the criminal justice system. It’s all handled with a balance of sincerity and tongue-in-cheek satire. The cast, directed by Dira and William Dao, moves through each event with confidence and finesse.

I will admit I was confused by some aspects of The Boy Who Cried. Certain characters, themes, and plot points are picked up, held to the light, then put down just as quickly. With an ending that felt somewhat rushed, I wonder if the bulk of the play could have been streamlined to make room for a more satisfying conclusion.

That said, the audience (who gave this production a standing ovation) would likely disagree, so I’ll chalk that up to a personal preference.

Inventive and well acted, this is a treat for theatre enthusiasts looking for something a little different.

The Boy Who Cried is on now until July 17 as part of the 2022 Toronto Fringe Festival.
Find show times and tickets here.