Toronto Fringe Review: Painting By Numbers

In broad terms, Painting by Numbers is about the foibles of an art heist. Beyond that, the play asks questions about legacy (both artistic and familial), whose art and labour have more value (and at what point in history), and why our world makes it so challenging to exist as a creative. To a slightly lesser extent, the play also reminds us about the increasingly perilous existence of journalism, how the legal system impacts people differently across levels of privilege, and the unfortunate necessity of code switching. 

The show complicates a few topical matters while keeping the delivery lighthearted, accessible, and most importantly, entertaining.  Beyond that, technical elements like the set; sound; lighting design; and fight choreography all felt purposeful and effective. 

At the heart of the story are the relationships between the characters, which all felt real despite the extraordinary premise. This is a testament to the performers, the director (Keren Edelist), and writer (Judah Parris, who is also a cast member). Cassandra Henry’s performance as Leila especially caught my attention – her character served as a fulcrum for much of the story, and I truly felt the weight of that role through her performance. 

At the risk of sounding hyperbolic, Painting by Numbers comes close to being an ideal Fringe play. It isn’t perfect, but it’s simply well-crafted theatre with a clear intent. The show reminded me of the spirit of the festival. I left the theatre feeling energized by the obvious passion the company has for both the show and the creative process, and I believe you will too.

Before We Go is on now until July 13 at the Toronto Fringe. Show times and tickets.