Toronto Fringe Review: Aala Tamasha Aala

I doubt you’ll find a more heartfelt performance this Fringe than Tushar Tukaram Dalvi’s turn as Abhay, a security guard living in Toronto. 

Aala Tamasha Aala begins with a prologue in which writer Neha Poduval and Amlan Das discuss “Tamasha,” a playful, somewhat risqué style of folk theatre from the Maharashtra state in India. As they perform in their distinctive costumes we can see Abhay, resting at his security guard station, with earphones in. Is he asleep, remembering the Tamasha?

All becomes clear as he’s jolted alert by his boss on his walkie-talkie. He must walk the building’s perimeter and investigate a possible disturbance. Exhausted, since he’s been working non-stop for more than a week, he soon begins hearing the jangle of ankle bells from dancer Poduval, whom he recognizes from India. What’s she doing here? 

The beauty of this production is how sensitively writer Poduval and director Himanshu Sitlani (best known for their Dora-nominated An IMM-Permanent Resident) have interwoven Abhay’s present life with his past.

We see how Abhay, who was sent to Canada to study business, once had dreams of becoming a dancer and how Poduval’s character mentored him, but that his father (Das) disapproved. Each actor is excellent, but it’s Dalvi’s story that will break your heart. 

As the pieces come together, you will realize just how carefully the creators have constructed this tale of creativity and expression vs. crushing reality. 

The show features an all-South Asian team – including choreographer Nidhi Baadkar and sound designer Taposh Ganguli – which the company Nautanki Bazaar says is a first in the city.

Director Sitlani’s attention to detail even extends to the lobby before you scan your ticket. You might just see a character there you’ll meet later on.

This wonderful show is so layered it deserves multiple viewings and, fingers crossed, a future production. 

Aala Tamasha Aala is now on until July 13 at the Fringe. Show times and tickets.